Doris Taussig is Drawing Hope, One Ladybug at a Time

Doris Taussig is Drawing Hope, One Ladybug at a Time

Intuition, realism, and building the world of HappyTottii

From a hand-drawn ladybug sparked by an instinctive moment in 2016 to a growing universe that spans illustration, storytelling, and digital worlds, Doris Taussig’s journey with HappyTottii is shaped by intuition, discipline, and lived experience. With a background that moves fluidly between ballet, design, painting, and entrepreneurship, Taussig creates work that balances realism with gentle optimism, often inviting audiences to pause, reflect, and reconnect with ideas of love, happiness, and hope. Now based in Cyprus, she continues to build HappyTottii not only as an artistic expression, but as a product and a long-term mission. In this interview, she reflects on creativity, patience, symbolism, and what it truly takes to bring an idea into the world.

You created HappyTottii after a sudden inspiration sparked by a small metal ladybug from Hong Kong. What was it about that moment in 2016 that made you feel this was the start of something meaningful?

At that time I didn't have the feeling that I was drawing something significant, I just had a special urge to want to draw this ladybug. Even as a child, I had the ability to observe people closely and through my ballet studies, where I also learned pantomime, this has intensified.  It was only in the following years that I got more and more the intuition to be guided to create something meaningful. And so the ladybug was the ideal emoji for my needs.

Your artistic journey spans ballet, design, painting, entrepreneurship, and now digital illustration and gaming. How have these diverse chapters of your life shaped the way you create today?

In every phase of my life, I have learned a lot that benefits me today. Even today, I still learn every day whether technology, interpersonal, business, etc. Most of all, I would put patience in the foreground. Everything takes time, which you often don't want to accept in your youth.

You moved from Vienna to Larnaca. How has living in Cyprus influenced your creativity, daily inspirations, or even the emotional tone of HappyTottii?

In Cyprus, I'm not so creative at the moment, but more in the process of getting the product off the ground. By that I mean sales channels, production, PR and so on, just what a product needs to reach the consumer. It's nice to be artistically active, but there also has to be a bit of a sense of achievement and that's sales. This also requires creativity in a different way. It is not easy to bring a new product to market.

What parts of Cyprus’ nature, culture, or rhythm of life resonate most with the themes of love, luck, and hope that run through your work?

This is certainly the proximity to the sea that gives rise to feelings of happiness. The inner peace that captures me also gives me a lot of strength to survive the ups and downs that inevitably break in. This makes it easier for me to find my way back to my work and draw motifs that make others feel positive and put a smile on their faces.

"In the end everything will be fine. Or not?" is a thought-provoking line connected to HappyTottii. How do you personally interpret this sense of optimism mixed with realism?

I'm a realist and don't see things with rose-colored glasses. There are two personalities living in me. The realist there, and on the other hand the artist who is guided and draws her motives by love and happiness, although I don't believe in these values at all that they could be permanent. In my life I was not allowed to experience this, but there will certainly be blessed people who were allowed to experience it.

Ladybugs carry deep symbolic meaning in many cultures — from luck and protection to spiritual guidance. What personal connection do you feel with this symbolism, and why was it essential for HappyTottii?

As I said, I am guided – spiritual guidance. I can't always determine when and where something happens or should be done. Day after day I do my work, which gives me a lot of joy and I am grateful that I can still have such an exciting life at my age. I'll wait and see what HappyTottii has in store for me. I also see a mission in the far future of HappyTottii that I cannot yet estimate.

Your audience ranges from young readers to the young-at-heart. What do you hope people feel, understand, or reflect on when they encounter HappyTottii’s stories and artworks?

The collages are titled "Mirror Of Society" and are intended to encourage everyone to think about their actions. Collages are made with dried flowers, leaves and trash from the nature like cigarettes, papers, plastic and more. The combination should show the dirty in nature around us.

The stories have different purposes. From educational, to psychological, to adventure content depending on the use whether book, short film, video games or other.

Love, happiness, hope can be brought in everywhere.

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